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Executive produced by Angelina Jolie, “The Breadwinner” does precisely that, and though Twomey’s essential, empathetic look into the plight of women, young and old, in present-day Afghanistan doesn’t identify its heroine as the exact same girl, her jade-colored eyes are a certain reminder, while her spirit burns every bit as strongly.Her name is Parvana (voiced with strength and conviction by newcomer Saara Chaudry), and she is allowed to visit Kabul’s market square only so long as she is accompanied by her father (Ali Badshah), a one-legged local teacher whose reverence for books upsets the militant young men — including one especially spiteful former student, hardly more than a child himself — who’ve since seized control of the region.
But Pravana is determined to see her father in prison once more.
This quest will take all her creativity, resilience, and the kindness of a stranger.
Amid such oppression, Parvana makes two important discoveries: First, she realizes the power of storytelling to escape the harsh circumstances they’re facing, distracting her distressed younger brother with an extemporaneous fable about a brave boy who stands up to the so-called Elephant King.
And second, she encounters a classmate, Shauzia (Soma Chhaya), who has cut her hair and assumed a boy’s identity, inspiring Parvana to do the same (while hinting at a tragic mystery involving her missing older brother, Sulayman).
Parvana (voiced by Saara Chaudry) is an 11-year-old girl living in Kabul with her father (Ali Badshah), ailing mother, older sister, and young brother.
Literature Review On Domestic Violence - The Breadwinner Parvana Essay
She goes to the market each day to help her father, a former schoolteacher who lost a leg in the war, sell clothes and household items.Parvana throughout the novel breaks the Taliban rules and laws and since those were illegal doings she has to dress up like a boy so that she can get a job to provide for her family and not be imprisoned.Parvana is only an 11 year old girl and is fighting for her father, family, and friends.Such minor quibbles aside, “The Breadwinner” proves nothing short of exceptional, celebrating as it does a young woman who faces adversity head-on — and who relies on her own creativity, both as a storyteller and in practical situations, to adapt to whatever obstacles she faces.Amid a palette toned down significantly from the brilliant emerald and sapphire tones of “The Secret of Kells” and “Song of the Sea,” Parvana’s green eyes seem all the more striking.Though the heroine is a child, and the book was written for young readers, “The Breadwinner” is by no means a simple-minded kidpic; rather, it directly confronts the misogyny and chauvinism of contemporary Afghanistan, while powerfully suggesting that storytelling is both a means of coping and a solution for change.This is hardly the first time animation has served the vital artistic purpose of rendering difficult subjects accessible: At Studio Ghibli, both Isao Takahata and Hayao Miyazaki used the medium to address difficult memories of wartime Japan — in “Grave of the Fireflies” and “The Wind Rises,” respectively — and with “The Breadwinner,” Cartoon Saloon follows their lead.Within the novel Parvana, her and her family come through a series of changes in their lives.Parvana would always assist her father at the market place because he is disabled and only has one leg.For example, though several solutions exist, we’re never quite clear what Parvana’s goal is in the film: Is it to free her father? At a certain point, Parvana seems willing to share this parallel narrative with anyone who will listen, though the meandering fable isn’t compelling enough in its own right, and really only serves to reveal the fate of her absent older brother.Meanwhile, the principal storyline (involving her living relatives) unravels a bit toward the end, as if the project may have been rushed across the finish line.