However, Romeo refuses to fight Tybalt, because Romeo now considers Tybalt to be kin due to his secret marriage to Juliet.
However, Romeo refuses to fight Tybalt, because Romeo now considers Tybalt to be kin due to his secret marriage to Juliet.Mercutio is incensed at his friend's "calm, dishonorable, vile submission", and decides to fight Tybalt himself, right before which, Mercutio refers to his sword as his "fiddlestick." Romeo, not wanting his friend or his relative to get hurt, attempts to intervene.Tags: Book Report On Alice In Wonderland By Lewis CarrollExtended Essay Ideas MedicineEssays Diagram ChartGlobalisation Essay QuestionsManagement Accountant Cover Letter UkHomework Help TudorsCharacter Essay ExamplesPaper Post Research Stress Traumatic WarList Of Transition Words For Writing An Essay
He fails, however, as Mercutio gets stabbed under Romeo's arm and dies. He makes one final pun before he dies: "Ask for me to-morrow, and you shall find me a grave man." A grief-stricken and enraged Romeo kills Tybalt, resulting in his banishment from Verona and beginning the tragic turn of events that make up the rest of the play.
Before he dies, Mercutio curses both the Montagues and Capulets, crying several times, "A plague o' both your houses! The name Mercutio was present in Shakespeare's sources for Romeo and Juliet, though his character was not well developed and he was presented as a romantic rival for Juliet.
As such, being neither a Montague nor a Capulet, Mercutio is one of the named characters in the play with the ability to mingle around those of both houses.
The invitation to Capulet's party states that he has a brother named Valentine.
Earlier versions of the story described a different chain of events leading to Tybalt's death, omitting Mercutio completely.
Arthur Brooke's The Tragical History of Romeus and Juliet and William Painter's 1567 versions of the story both left the entire episode solely to Romeo and Tybalt.
You could even tell a brief story about a well-known portrayal or adaptation of the play.
The point is to pique the interest of whomever is reading.
The name is first used in Luigi Da Porto's 1530 Giulietta e Romeo.
Da Porto briefly introduces a character named Marcuccio Guertio, a noble youth "with very cold hands, in July as in January", who makes Giulietta Cappelletti appreciate the warm hands of Romeo Montecchi.