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Upon marriage, and also coinciding with the pinnacle of Fitzgerald’s fame, Scott and Zelda began living a life of wasteful extravagance that was often characterized by recklessly drunken behavior.In order to maintain this lifestyle, Fitzgerald was forced to put aside working on novels, and focus his creative efforts on penning lucrative, but by no means extraordinary, short stories.It's inspiring how he presents the interaction between his wife and himself, how he showcases them as a good team that enjoys strong camaraderie rather than as the epitome of romantic love. Barks The letters that Scott and Zelda Fitzgerald exchanged span more than two decades, from the first love letter she wrote in 1918 to his final note from December 19, 1940.
Dear Scott/Dear Max: The Fitzgerald-Perkins Correspondence, edited by Jackson R.
Bryer Maxwell Perkins was a well-known editor at literary institution Scribner's. Their correspondence offers not only a lot of literary gossip, but also rare insights into Fitzgerald's devotion to his craft. Bruccoli A collection of letters between Fitzgerald and his literary agent Harold Ober.
The Crack-Up, edited by Edmund Wilson The Crack-Up is a collection of essays that Fitzgerald published as he reached his nadir: His latest novel Tender is the Night had been a critical and financial failure, his wife had been institutionalized and the magazine short story market had dried up: "...until you realize with finality that in some regard you will never be as good a man again." Wir waren furchtbar gute Schauspieler On May 28, 1933, Scott and Zelda Fitzgerald met in the presence of her doctor Thomas Rennie and a stenographer: Scott had asked for a typescript of the conversation to document the state of affairs between his wife and himself.
Based on this protocol, their conversation has now been reenacted as an 109 minute audiobook (which is only available in German at this point) that will make anyone who is reasonably happily married grateful for not having sunk to the level of distrust and antipathy that seems to have ruled the relationship between Scott and Zelda during this period.
Throughout Fitzgerald’s life, he unsuccessfully battled alcoholism, depression, and himself, in a quest for both personal and literary identity.
At the age of twenty-three, Fitzgerald published his first novel, This Side of Paradise, to critical raves and unimaginable economic success.
Listening to Scott and Zelda fighting is a painful reminder how completely lives can unravel, not by a single tragic twist of fate, but gradually, as a matter of course, abetted by too many wrong decisions, each of them insignificant in isolation, but devastating in their cumulative effect.
A Life in Letters: A New Collection, edited and annotated by Matthew J.
In his classic novel The Great Gatsby, Fitzgerald blatantly criticized the immorality, materialism, and hedonism which characterized the lifestyles of America’s bourgeois during the nineteen-twenties.
Collectively, Fitzgerald’s novels and short stories provide some of the best insight into the lifestyles of the rich during America’s most prosperous era, while simultaneously examining major literary themes such as disillusionment, coming of age, and the corruption of the American Dream. Scott Fitzgerald is marked by as much, if not more, romanticism and tragedy than his novels.