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Bonds within a family are also emphasized when Ma and Jack escape from Room.Jack must learn to give identities to all the new people in his family: Paul, Deana, Bronwyn, Steppa, and Grandma.
directly contrasts with the overwhelming sense of isolation that inhabits the first half of the book.
This freedom is long anticipated by Ma, yet freedom isn't as immediately and thoroughly fulfilling as the reader might have expected.
Yet, it is hard for Jack not to see these people as strangers, no more closely related to him than Doctor Clay or Noreen.
He views only Ma as his true family, as underscored at the end of the novel when Jack and Ma move back in together.
having kids; the locked room is a metaphor for the claustrophobic, tender bond of parenthood.
I borrowed observations, jokes, kid grammar and whole dialogues from our son Finn, who was five while I was writing it. the Fritzl family’s escape from their dungeon in Austria – though I doubt I’ll ever use contemporary headlines as a launching point again, since I didn’t like being even occasionally accused of ‘exploitation’ or tagged ‘Fritzl writer’.
The reader does not witness the kidnap itself: instead, she is introduced to Jack and Ma seven years into their captivity.
Therefore, we are normalized to their surroundings in Room before we are normalized to their presence in the outside world, the same situation experienced by the protagonists.
This perhaps suggests that there is no clear-cut definition of who is good and bad—who can love and who cannot.
A very realistic landscape of emotion, both positive and negative, is portrayed throughout this novel.